Kay Mei Ling Beadman

  • Works

    • Invisibility Cloak
    • Cloaking device
    • Three portraits submerged under cobalt
    • Fictive memories aren't not true
    • Enduring Reality Part 3
    • Enrobed #5
    • Choreograph
    • Carapace
    • Through
    • A short story about gardening and ti
    • Amplifying garments
    • Mantle
    • Class 11: Any other, unclassified, exoti
    • Protean
    • Enrobed
    • Transience
    • How to take a passport photo
    • Terrain
    • Still movements
    • Endless singularity
    • Cross currents
    • Sisters
    • And connected

  • About

  • Contact

  • More

    Use tab to navigate through the menu items.

    • Works

      • Invisibility Cloak
      • Cloaking device
      • Three portraits submerged under cobalt
      • Fictive memories aren't not true
      • Enduring Reality Part 3
      • Enrobed #5
      • Choreograph
      • Carapace
      • Through
      • A short story about gardening and ti
      • Amplifying garments
      • Mantle
      • Class 11: Any other, unclassified, exoti
      • Protean
      • Enrobed
      • Transience
      • How to take a passport photo
      • Terrain
      • Still movements
      • Endless singularity
      • Cross currents
      • Sisters
      • And connected

    • About

    • Contact

    • More

      Use tab to navigate through the menu items.

      Amplifying garments

      2014

      digital prints

      017 Amplifying 1.JPG
      017 Amplifying 1.JPG
      018 Amplifying 2.JPG
      019 Amplifying 3.JPG
      020 Amplifying 4.JPG
      021 Amplifying 5.jpg
      RMIT2016_The Dirty Dozen (Keelan O'Hehir

      Installation view of Carapace, an installation incorporating Amplifying garments C-prints, in The Museum of International Connectivity at The Dirty Dozen, Melbourne, 2016

      © 2021  Kay Mei Ling Beadman